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Logic Pro Tips: Understanding Time-stretching.
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Here’s how to time-stretch your imported audio files in Ableton Live and Logic Pro: Unless you’re sticking to the tempo of the original, you’ll want to time-stretch your audio to suit your project tempo. It’s best to import all of your parts into your DAW first so you can try out different combinations and see exactly what’s going on in each track stem.įirst, you need to decide what tempo you’d like your remix to be. The great thing about remixing is that there are creative limitations that you have to work within, so while you have plenty of options, you will be guided by the original material to some extent. However, it’s also fine if you have to go the trial-and-error route. The more clarity you have from these questions from the offset, the easier things should go.
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Image: Ableton How to get stems from a track? Ultimately, you’ll be mixing the finished track down in your DAW as you would with an original track, but the world is your oyster in terms of what you add into the mix. You can use outboard gear, hardware, live instruments, apps, or even DJ controllers and effects units to add to your remix. Broadly speaking, what you’re doing is taking the stems (the individual channels or groups of parts) of the original and editing, manipulating and adding to them with your own sounds.īut don’t feel like you need to confine yourself to your DAW. You’ll need a DAW – such as Logic Pro or Ableton Live – to create your remix. Still, with a little imagination, clever editing and processing, you can work wonders. You’ll need some creative solutions to work with the limitations of not having the original song’s elements in this scenario. It’s OK to make reworks for your personal use and, while some of the same techniques and processes that you’ll learn in this piece will still be relevant, your options will be a lot more limited. If you’re looking to create your own edit or bootleg of a track you like from the original track, be aware that you are not legally allowed to release the track through digital service providers, play it during a DJ gig, or play it via any other commercial means.